Contemporary circumstances in the United States, both in broader politics, recent protest movements around police brutality, and in the demographics of engineering education, have prompted us to look for new ways to bring theory on gender, race, and class to audiences who would not normally consider it their usual reading.
It is “seeing” that is most compelling when analyzing the relationship between architecture and race, especially, for example, when reexamined in literary works such as F. Scott Fitzgerald’s The Great Gatsby. Adrienne Brown, a professor who specializes in American and African American cultural production at the University of Chicago, takes her readers on a journey that recounts seeing racial characteristics in the early period of American skyscraper construction.
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